Rabbi Chaim Kanievsky Shlita

Rav Kamevski (2)

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Rabbi Chaim Kanievsky Shlita

Rabbi Shmaryahu Yosef Chaim Kanievsky was born in 1928. His father was the prestigious Steipler Rav, Rabbi Yaakov Yisrael Kanievsky and his uncle the Chazon Ish, Rabbi Avraham Yeshayah Karelitz.

In his youth Rabbi Kanievsky studied with his father the Steipler, and with his uncle the Chazon Ish. He also studied in Yeshivas Tiferes Tzion of Bnei Brak under Rabbi Yechiel Michel Lefkowitz, and later on in the Lomza Yeshiva of Petach Tikvah under the Rosh yeshiva Rabbi Yechiel Michel Gordon and the Mashgiach Rabbi Eliyahu Dushnitzer.

Later, he married the esteemed daughter of Rabbi Yosef Shalom Elyashiv, Batsheva Esther z”l. Together, they had three sons and six daughters.

Furthermore, Rabbi Kanievsky is a great author. He has written many works including: Shona Halachos – a systematic presentation of the popular work Mishnah Berurah, Derech Emunah – on agricultural laws of Eretz Israel, Derech Chochmoh – on the laws of the Beis Hamikdash, Shekel Hakodesh – on the laws of Kiddush Hachodesh, Nachal Eisan – on the laws of Eglah Arufah, Siach Hasade, and many others. He is also an ardent supporter of the Rabbi Meir Baal Haneis Salant charity fund and has consistently encouraged and assisted the organization in every way possible.

Needless to say, Rabbi Chaim Kanievsky is revered as a holy and sagacious man and thousands of people visit him yearly, seeking his advice and blessings on various topics. He is considered to be our generation’s greatest scholar and halakhic Posek.

Mikhail ChapiroBorn in 1938 in Belorussia, he was captivated by painting since his early childhood. Thanks to his teachers, Peter Chernyshevsky and Boris Zvenigorodsky, the artists of great experience and talent, this endowment became his predilection, the raison d’être of his life. After 6 years of studies, he graduated from the Mukhina Institute of Arts and Industrial Design. He worked as a stylist for 7 years in the capital of Siberia, city of Novosibirsk.

He moved to Moscow in 1974 and since 1977 till 1987 he regularly exhibited in the Russia’s famous underground avant-garde centre at Malaya Gruzinskaya 28, which in 1981 became the home of his solo exhibition. Only with Perestroyka he was widely recognized in Russia. From 1988 to 1990 his paintings were exhibited at the Muscovite Modern Art Gallery MARS.

He was recognized by the intellectual elite. Great Russian ballerina Maya Plesetskaya, 3-times Olympic Champion in figure ice-skating Irina Rodnina, Nobel Prize Laureates Academicians Sakharov, Frank, Prokhorov – those are just few of the most prominent people who knew Chapiro and whose portraits he did.

In 1990 Mikhail Chapiro immigrated to Canada. He settled in Toronto and immediately joined the city’s artistic life. The “Hittite Gallery” held his solo exhibition in 1992. In 1993, he moved to Montreal, being fascinated by the singular charm of this metropolis and its people. Being highly productive, Chapiro has constantly enriched his collection with fresh subjects. In 1996 he had a solo exhibition at the Elgar community center in Verdun (a Montreal district).

While Chapiro’s themes always remained portraits, landscapes, cityscapes, animals, and flowers, his style has gradually evolved from a merely realistic formalist expression towards an unique painting technique allowing to express at best the softness and subtlety that forms the bottom line of the artist’s philosophy. Mikhail Chapiro is, by his substance, perception of the world, and even training, is a figurative, objective, realistic painter. What characterizes his painting is softness, subtlety, implicitly.

However, in some works from different periods, he had come close- and still does so today- to abstraction: mostly with his nudes and flowers, sometimes in portraiture and landscapes. Abstract painting has always fascinated him: during his Moscovite period in the Eighties, he created series of abstract compositions, which he continued once in Canada, in both Toronto and Montreal.

The rationale behind his work, what triggered him is as it has always been, asking the “What?” question-that is, he needs unequivocally an idea fuelling his creativity.
What he tells with one or another abstract work may be philosophical reflections about life, death, the good, the bad, the passage of our soul from the material world (the life on Earth) into the thin world (the soul’s life in the Cosmos); the return of our soul into material world- a sort of an infinite transfiguration-, and so on. It’s only then that he would care about the composition, texture, color, etc.

Abstract painting is for him the most interesting experiment, one of his art’s facets. Whether his paintings are realistic or abstract, his approach is equally sincere.